Cesar vallejo biography summary

César Vallejo

Peruvian writer

For the football club, see Club Deportivo Universidad César Vallejo. For the volleyball club, see CV Universidad César Vallejo. For the university, see César Vallejo University.

In this Spanish name, the first or paternal surname is Vallejo and the second or maternal family name is Mendoza.

César Abraham Vallejo Mendoza (March 16, – April 15, ) was a Peruvian poet, writer, playwright, and journalist.

Although he published only two books of poetry during his lifetime, he is considered one of the great poetic innovators of the 20th century in any language.^[1]Thomas Merton called him "the greatest universal poet since Dante". The late British poet, critic and biographer Martin Seymour-Smith, a leading authority on world literature, called Vallejo "the greatest twentieth-century poet in any language." He was a member of the intellectual community called North Group formed in the Peruvian north coastal city of Trujillo.

Clayton Eshleman and José Rubia Barcia's translation of The Complete Posthumous Poetry of César Vallejo won the National Book Award for translation in

Some of his poems have been set to music by the Indonesian composer and pianist Ananda Sukarlan, premiered by the Peruvian baritone Rudi-Fernandez Cardenas with the composer himself on the piano, and have since entered the repertoire of vocal music for baritone and piano.

Biography

César Vallejo was born to Francisco de Paula Vallejo Benítez and María de los Santos Mendoza Gurrionero in Santiago de Chuco, a remote village in the Peruvian Andes. He was the youngest of eleven children. His grandfathers were both Spanish priests, and his grandmothers were both indigenous Peruvians.^[2]

Lack of funds forced him to withdraw from his studies for a time and work at a sugar plantation, the Roma Hacienda, where he witnessed the exploitation of agrarian workers firsthand, an experience which would have an important impact on his politics and aesthetics.

Vallejo received a BA in Spanish literature in , the same year that he became acquainted with the bohemia of Trujillo, in particular with APRA co-founders Antenor Orrego and Victor Raul Haya de la Torre.

In Vallejo moved to Lima, where he studied at National University of San Marcos; read, worked as a schoolteacher, and came into contact with the artistic and political avant-garde.

While in Lima, he also produced his first poetry collection, Los heraldos negros. Despite its stated publication year of , the book was actually published a year later.

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It is also heavily influenced by the poetry and other writings of fellow Peruvian Manuel González Prada, who had only recently died. Vallejo then suffered a number of calamities over the next few years: he refused to marry a woman with whom he had an affair; and he had lost his teaching post.

His mother died in In May , homesickness drove him to return to Santiago de Chuco.

On the first of August, the house belonging to the Santa María Calderón family, who transported merchandise and alcohol by pack animals from the coast, was looted and set on fire. Vallejo was unjustly accused as both a participant and instigator of the act. He hid but was discovered, arrested, and thrown in a Trujillo jail where he would remain for days (From November 6, until February 26, ).

On December 24, he won second place (first place was declared void) from the city hall of Trujillo for the poem, "Fabla de gesta (Tribute to Marqués de Torre Tagle)". Vallejo competed by hiding his identity with a pseudonym in an attempt to give impartiality to the competition.

In the work, "Vallejo en los infiernos",^[3] the author, a practicing lawyer, Eduardo González Viaña revealed key pieces of judicial documentation against the poet and showed deliberate fabrications by the judge and his enemies to imprison him.

It indicted the victims but excluded prosecution to those criminally involved. They invented testimonies and attributed them to people who subsequently declared that they had never been to Santiago de Chuco, the place of the crime. Finally, the material author was escorted to Trujillo to testify before the Supreme Court.

However, on the long journey, the gendarmes, French police officers, that guarded him, shot and killed him under the pretext that he had attempted to escape. Moreover, the author has investigated the other actions of the judge ad hoc. In truth, he was a lawyer for the large reed business "Casagrande" and of the "Quiruvilca" mine where the employees operated without a schedule and were victims of horrific working conditions.

All of this highlights the political character of the criminal proceedings. With Vallejo it had tried to mock his generation, university students that attempted to rise up against the injustice and embraced anarchism and socialism, utopias of the century.

The judicial process was never closed. The poet left jail on behalf of a temporary release.

Years later in Europe, he knew that he could never return to his home country. Jail and the "hells" revealed in this novel awaited him with an open door.

In the Judiciary of Peru vindicated Vallejo's memory in a ceremony calling to the poet unfairly accused.^[4] Nonetheless, he published his second volume of poetry, Trilce, which is still considered one of the most radically avant-garde poetry collections in the Spanish language.

After publishing the short story collections Escalas melografiadas and Fabla salvaje in , Vallejo emigrated to Europe under the threat of further incarceration and remained there until his death in Paris in

His European years found him living in dire poverty in Paris, with the exception of three trips to the USSR and a couple of years in the early s spent in exile in Spain.

In those years he shared the poverty with Pablo Picasso. In he met his first French lover, Henriette Maisse, with whom he lived until their breakup in October In he had formally met Georgette Marie Philippart Travers (see Georgette Vallejo), whom he had seen when she was 17 and lived in his neighborhood. This was also the year of his first trip to Russia.

They eventually became lovers, much to the dismay of her mother. Georgette traveled with him to Spain at the end of December and returned in January In the Spanish government awarded him a modest author's grant. Vallejo became increasingly politically active in the early s, joining the Peruvian Communist Party in ^[5] When he returned to Paris, he also went on to Russia to participate in the International Congress of Writers' Solidarity towards the Soviet Regime (not to be confused with the First Congress of Soviet Writers of , which solidified the parameters for Socialist Realism).

Back in Paris, Vallejo married Georgette Philippart in His wife remained a controversial figure concerning the publication of Vallejo's works for many years after his death.

A regular cultural contributor to weeklies in Lima, Vallejo also sent sporadic articles to newspapers and magazines in other parts of Latin America, Spain, Italy, and France.

His USSR trips also led to two books of reportage he was able to get published early in the s. Vallejo also prepared several theatrical works never performed during his lifetime, among them his drama Colacho Hermanos o Los Presidentes de America which shares content with another work he completed during this period, the socialist-realist novel El Tungsteno. He even wrote a children's book, Paco Yunque.

After becoming emotionally and intellectually involved in the Spanish Civil War, Vallejo had a final burst of poetic activity in the late s, producing two books of poetry (both published posthumously) whose titles and proper organization remain a matter of debate: they were published as Poemas humanos and España, aparta de mí este cáliz.

Death

At the beginning of , he worked as a language and literature professor in Paris,^[6] but in March he suffered from physical exhaustion.^[7] On March 24 he was hospitalized for an unknown disease (it was later understood that it was the reactivation of a kind of malaria, which he had suffered as a child), and on April 7 and 8 he became critically ill.

He died a week later, on April 15,^[8] a holy, rainy Friday in Paris. It was not a Thursday, as he seemed to have predicted in his poem «"Black Stone on a White Stone"». His death was fictionalized in Roberto Bolaño's novel Monsieur Pain. He was embalmed. His funeral eulogy was written by the French writer Louis Aragon.

On April 19, his remains were transferred to the Mansion of Culture, and later to the Montrouge cemetery.

On April 3, , his widow, Georgette Vallejo, had his remains moved and reinterred in the Montparnasse cemetery.^[9]

Works

Los Heraldos Negros ()

Los Heraldos Negros (The Black Messengers) was completed in , but not published until In the edited volume Neruda and Vallejo: Selected Poems, Robert Bly describes this collection as "a staggering book, sensual, prophetic, affectionate, wild," and as "the greatest single collection of poems I have ever read." The title is likely suggestive of the four horsemen of the apocalypse, as the book touches on topics of religiosity, life and death.

There are blows in life, so powerful . . . I don't know!

Blows as from God's hatred; as if before them,

the backlash of everything suffered

were to dam up in the soul . . . I don't know!

They are few; but they are . . . They open dark furrows

in the fiercest face and in the strongest side.

Maybe they could be the horses of barbarous Attilas;

or the black heralds Death sends us.

They are the deep abysses of the soul's Christs,

of some revered faith Destiny blasphemes.

Those gory blows are the cracklings of a bread

that burns-up on us at the oven's door.

And man .

. . Poor . . . poor! He turns his eyes,

as when a slap on the shoulder calls us;

he turns his crazed eyes, and everything lived

is dammed up, like a pond of guilt, in his gaze.

There are blows in life, so powerful . . . I don't know!

Trilce ()

Trilce, published in , anticipated much of the avant-garde movement that would develop in the s and s.

Cesar vallejo biography summary and analysis The late British poet, critic and biographer Martin Seymour-Smith, a leading authority on world literature, called Vallejo "the greatest twentieth-century poet in any language. With Vallejo it had tried to mock his generation, university students that attempted to rise up against the injustice and embraced anarchism and socialism, utopias of the century. Vallejo entered the School of Philosophy and Letters at Trujillo University in , but had to drop out for lack of money. When he returned to Paris, he also went on to Russia to participate in the International Congress of Writers' Solidarity towards the Soviet Regime not to be confused with the First Congress of Soviet Writers of , which solidified the parameters for Socialist Realism.

Vallejo's book takes language to a radical extreme, inventing words, stretching syntax, using automatic writing and other techniques now known as "surrealist" (though he did this before the Surrealist movement began). The book put Latin America at the center of the Avant-garde. Like James Joyce's Finnegans Wake,Trilce borders on inaccessibility.

España, Aparta de Mí Este Cáliz ()

In España, aparta de mí este cáliz (Spain, Take This Chalice from Me), Vallejo takes the Spanish Civil War (–39) as a living representation of a struggle between good and evil forces, where he advocates for the triumph of mankind. This is symbolised in the salvation of the Second Spanish Republic (–39) that was being attacked by fascist allied forces led by General Franco.

In Harold Bloom included España, Aparta de Mí Este Cáliz in his list of influential works of the Western Canon.

Cesar vallejo biography summary pdf His mother died in Vallejo and Philipart married in , and their financial situation took a turn for the worse. Retrieved on 17 August Back in Paris, Vallejo married Georgette Philippart in

Poemas Humanos ()

Poemas Humanos(Human Poems), published by the poet's wife after his death, is a leftist work of political, socially oriented poetry. Although a few of these poems appeared in magazines during Vallejo's lifetime, almost all of them were published posthumously. The poet never specified a title for this grouping, but while reading his body of work, his widow found that he had planned a book of "human poems", which is why his editors decided on this title.

Of this last written work, it was said^[11]" after a long silence, as if the presentiment of death might have urged him, he wrote in a few months the Poemas humanos."

Plays

Vallejo wrote five plays, none of which was staged or published during his lifetime.

Mampar is the subject of a critical letter from French actor and theatre director Louis Jouvet which says, in summary, "Interesting, but terminally flawed".

It deals with the conflict between a man and his mother-in-law. The text itself is lost, assumed to have been destroyed by Vallejo.

Lock-Out (, written in French; a Spanish translation by Vallejo himself is lost) deals with a labour struggle in a foundry.

Entre las dos orillas corre el río (s) was the product of a long and difficult birth.

Titles of earlier versions include Varona Polianova, Moscú contra Moscú, El juego del amor, del odio y de la muerte and several variations on this latter title.

Colacho hermanos o Presidentes de América (). Satire displaying Peruvian democracy as a bourgeois farce under pressure from international companies and diplomacy.

La piedra cansada (), a poetic drama set in the Inca period and influenced by Greek tragedy.

Essay

Vallejo published a chronicles book entitled Russia in Reflections at the foot of the Kremlin (Madrid, ) and prepared another similar book for the presses titled Russia before the second five-year plan (finished in but was later published in ).

Also, he organized two prose books about essay and reflection: Against Professional Secrecy (written, according to Georgette, between and ), and Art and Revolution (written between and ), which bring together diverse articles, some which were published in magazines and newspapers during the lifetime of the author. No Spanish editorial wanted to publish these books because of their Marxist and revolutionary character.

They would later be published in

Novels

El tungsteno (). A social realist novel depicting the oppression of native Peruvian miners and their communities by a foreign-owned tungsten mine.

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Towards the kingdom of the Sciris () is a historic short story dealing with the Incan theme.

Fabla Salvaje () Literally 'Wild Language', is a short novel which follows the insanity of a character who lives in the Andes.

The children's book, "Paco Yunque", was rejected in Spain in for being too violent for children. But after it was published in Peru in the s, it became mandatory reading in the elementary schools in Peru.

Non-fiction

Rusia en , reflexiones al pie del Kremlin (Russia in , reflections at the foot of the Kremlin), first published in , is a journalistic work describing Vallejo's impressions of the new socialist society that he saw being built in Soviet Russia.

Rusia ante el II Plan Quinquenal is a second work of Vallejo's chronicles of his travels in Soviet Russia, focusing on Joseph Stalin's second Five Year Plan.

The book, originally written in , was not published until

Selected works available in English

The Complete Poetry of César Vallejo (Edited and Translated by Clayton Eshleman. With a Foreword by Mario Vargas Llosa, an Introduction by Efrain Kristal, and a Chronology by Stephen M. Hart.) University of California Press.

ISBN&#; (shortlisted for the International Griffin Poetry Prize)
The Complete Posthumous Poetry of César Vallejo (Translators: Clayton Eshleman and José Rubia Barcia), University of California Press ISBN&#;
Malanga Chasing Vallejo: Selected Poems of César Vallejo with New Translations and Notes (Edited, Translated and with an Introduction by Gerard Malanga; also includes original and translated correspondence between the translator and Vallejo's widow Georgette de Vallejo) Three Rooms Press.

ISBN&#; (Trade Paperback) and (ebook).
Trilce (Translators: Michael Smith, Valentino Gianuzzi). Shearsman Books. ISBN&#;
The Complete Later Poems – (Translators: Michael Smith, Valentino Gianuzzi). Shearsman Books. ISBN&#;
The Black Heralds (Translator: Rebecca Seiferle) Copper Canyon PressISBN&#;
Trilce (Translator: Rebecca Seiferle) Sheep Meadow Press.
Cesar vallejo biography summary In , Vallejo enrolled again at Trujillo University and studied literature and law. Authority control databases. Retrieved March 1, In truth, he was a lawyer for the large reed business "Casagrande" and of the "Quiruvilca" mine where the employees operated without a schedule and were victims of horrific working conditions.
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The Black Heralds (Translator: Barry Fogden) Allardyce, Barnett Publishers. ISBN&#;
The Black Heralds (Translators: Richard Schaaf and Kathleen Ross) Latin American Literary Review Press. ISBN&#;
Trilce (Translator: Dave Smith) Mishima Books. ISBN&#;
Autopsy on Surrealism (Translator: Richard Schaaf) Curbstone Press.

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Cesar Vallejo (Translators: Gordon Brotherstone and Edward Dorn) Penguin.
Cesar vallejo biografia: In May , homesickness drove him to return to Santiago de Chuco. The poet never specified a title for this grouping, but while reading his body of work, his widow found that he had planned a book of "human poems", which is why his editors decided on this title. Thomas Merton called him "the greatest universal poet since Dante". A regular cultural contributor to weeklies in Lima, Vallejo also sent sporadic articles to newspapers and magazines in other parts of Latin America, Spain, Italy, and France.
ISBN&#;
Neruda and Vallejo: Selected Poems (Translators: Robert Bly and James Wright) Beacon Press. ISBN&#;
I'm going to speak of hope (Translator: Peter Boyle) Peruvian Consulate Publication.
Cesar Vallejo: An Anthology of His Poetry (Introduction by James Higgins) The Commonwealth and International Library.

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Selected Poems of Cesar Vallejo (Translator: H. R. Hays) Sachem Press. ISBN&#;
Poemas Humanos, Human Poems, by César Vallejo, a bilingual edition translated by Clayton Eshleman. Grove Press, , xxv + pp.&#;ISBN&#;
The Mayakovsky Case (Translator: Richard Schaaf) Curbstone Press. ISBN&#;
Tungsten (Translator: Robert Mezey) Syracuse University Press.

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Songs of Home (Translators: Kathleen Ross and Richard Schaaf) Ziesing Brothers Book Emporium. ISBN&#;
Spain Take This Cup from Me (Translator: Mary Sarko ) Azul. ISBN&#;
Spain, Let This Cup Pass from Me (Translator: Álvaro Cardona-Hine) Azul. ISBN&#;
Trilce (Selections from the Edition), Vols.

38/39 and 40/41 (Translator: Prospero Saiz) Abraxas Press. ISBN&#;
Trilce (Homophonic translator: James Wagner). Calamari Press. ISBN&#;

References

^""César Vallejo fue uno de los creadores del cuento-ensayo"". La República (in Spanish).

January 16, Retrieved April 23,
^González Echevarría, Roberto, "Revolutionary Devotion"Archived September 6, , at the Wayback Machine, The Nation. 3 May Retrieved on 17 August
^González Viaña, Eduardo (). Vallejo en los infiernos. Barcelona: Alfaqueque.
Cesar vallejo poemas In January , Georgette Philipart returned to Paris to find their apartment sacked by the police. April 16, Vallejo lost his teaching post for refusing to marry a woman with whom he was having an affair. Search Submit.
ISBN&#;.
^Judiciary of Peru (ed.). "(spanish) Reivindicación de Vallejo"(PDF). Archived from the original(PDF) on June 15, Retrieved November 17,
^Britton, R. K. (). "The Political Dimension of César Vallejo's "Poemas Humanos"". The Modern Language Review. 70 (3): – doi/ ISSN&#; JSTOR&#;
^Kinsbruner, Jay ().

Encyclopedia of Latin American history and culture. Detroit: Gale. pp.&#;–
^"Vallejo, Cesar".
^LATIN POETS UK, ed. (April 16, ). "Cesar Vallejo Tribute ". . Retrieved November 6,
^"Cesar Vallejo". . Retrieved March 1,
^"The Black Heralds"(PDF).

Archived from the original(PDF) on March 6, Retrieved December 21,
^Julio Caillet Bois, Antología del la poesía hispanoamericano, Madrid: Aguilar S.A. Ediciones, , p