Amede ardoin biography of abraham

Amédé Ardoin

Cajun musician

Amédé Ardoin

Amédé Ardoin around , on the occasion of his Confirmation in the Catholic Church.

Born()March 11,
near Basile, Evangeline Parish, Louisiana, U.S.
DiedNovember 3, () (aged&#;44)
Pineville, Louisiana, U.S.
GenresCreole, zydeco
Occupation(s)Singer, songwriter, accordionist
Instrument(s)Vocals, Cajun accordion
LabelsColumbia Records,[1]Brunswick, Vocalion, Decca, Melotone, Bluebird, Arhoolie, Tompkins Square

Musical artist

Amédé Ardoin (March 11, – November 3, )[2] was an American musician, known for his high singing voice and virtuosity on German-made one-row diatonic button accordions.[3]

He is credited by Louisiana music scholars with laying the groundwork in the early 20th century for both Creole and Cajun music.[4] He wrote several songs now regarded as Cajun and zydeco standards.

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  • Amadé Ardoin - Discography of American Historical Recordings
  • Amadé Ardoin - Discography of American Historical Recordings
  • Amédé Ardoin | Explore Louisiana
  • The World Accordion to Latour : Cajun: The musician was ...

    • His music and playing greatly inspired post-World War II Cajun accordion makers such as Marc Savoy.[5]

    Early life and career

    Ardoin was born near Basile in Evangeline Parish, Louisiana a descendant of both enslaved and free people. Ardoin spoke only Cajun French and did not speak English, as was then common for most people in Cajun Country.

    Developing his musical talents in preference to undertaking farm work, he played at dances, often for Cajun audiences, with fiddle players Alphonse LaFleur and Douglas Bellard. Adam Fontenot, father of fiddler Canray Fontenot, was an early musical influence.[6] He moved around the area frequently, settling at one point near Chataignier, where he met Cajun fiddle player Dennis McGee.

    They established a more regular musical partnership, playing at local house parties, sometimes attended by Ardoin's young cousin, Alphonse "Bois Sec" Ardoin.[7][8]

    Ardoin and McGee were among the first artists to record the music of the Acadiana region of Louisiana.

    On December 9, , they recorded six songs for Columbia Records in New Orleans.[9] They made further recordings together in New Orleans in , and in San Antonio, Texas, in August Ardoin also made solo recordings in New York City in December [3] The recordings were issued on various labels, including Brunswick, Vocalion, Decca, Melotone and Bluebird.[8] In all, thirty-four recordings with Ardoin playing accordion are known to exist.

    His recordings and performances became popular throughout southern Louisiana. In the late s, he played regularly in Eunice, Louisiana with fiddle player Sady Courville, but the two did not record together.[7] Ardoin's music combined "European song forms and African rhythmic approaches such as swing and syncopation [He] personified this cultural blend and enhanced its development through his deft technique and his ability to improvise.

    Ardoin was a lively, inventive accordionist who could keep a crowd dancing while playing alone. He was also a soulful singer whose emotional style made dramatic use of elongated, high-pitched notes."[8]

    Later life and death

    The circumstances that led to Ardoin's death, and the final cause of his death, were uncertain for many years.

    Contemporaries said that Ardoin suffered from impaired mental and musical capacities later in his life.

    BVE-83854 He was walking home after playing at a house dance near Eunice. Download our App. Categories : births deaths Creole accordionists Louisiana Creole people Zydeco accordionists American folk musicians Musicians from Louisiana Cajun accordionists Deaths in mental institutions 20th-century American musicians People from Basile, Louisiana 20th-century accordionists African-American Catholics. Vocals, Cajun accordion.

    Descendants of family members and musicians who knew Ardoin claimed a story, now well-known, that he was severely beaten in a racially motivated attack in about He was walking home after playing at a house dance near Eunice. The common story said that some white men were angered when a white woman, daughter of the house, lent her handkerchief to Ardoin to wipe the sweat from his face.[8][10] Ardoin seems never to have fully mentally recovered from this attack.[11]

    According to musicians Canray Fontenot and Wade Frugé, in PBS's American Patchwork, claimed that as Ardoin was leaving Eunice, he was run over by a Model A car which crushed his head and throat, damaging his vocal cords.

    They said he was found the next day, lying in a ditch.

    Studies have concluded that he died as a result of a venereal disease.[7] At the end of his life he was cared for in an asylum in Pineville, Louisiana, where he was admitted in September He died at the hospital two months later.

    BVE-83857: March 11, By the s, the accordion had been popular in Louisiana for some sixty or seventy years. Wikidata item. There were two, white racist men there who said who declared that one day would never perform again and they followed him home that night and beat him.

    He was buried in the hospital's common grave.[3][12]

    Legacy

    The 31 songs recorded by Ardoin have become "an important part of the core repertoire of Cajun and Creole music." Both his accordion playing and vocals have been stylistically influential in Cajun music and zydeco.[6]

    Along with bandmates like Dennis McGee, Ardoin "crossed the musical color line" in the Jim Crow South, earning the admiration of listeners of both races and creating temporary social spaces where cultural interchange could take place.[11] Anthropologist Sara Le Menestrel notes, "Ardoin is now considered the father of French music by most local musicians, no matter which subcategory of music [i.e., Cajun or Creole] they identify with."[13]

    On March 11, , a life-sized statue of Ardoin was unveiled at the St.

    Landry Parish Visitor Center. It was based on a well-known photo of him[14] when he received the Catholic sacrament of Confirmation.[15] The statue project was headed by Darrell Bourque, a professor and Louisiana's former Poet Laureate. His book of poetry titled 'If You Abandon Me: An Amédé Ardoin Songbook', features a cover with artwork by Pierre Bourque.

    Discography

    Compilations

    • Amadé Ardoin – Louisiana Cajun Music Vol. 6&#;: Amadé Ardoin – The First Black Zydeco Recording Artist (–) (OT Old Timey Records, )
    • Pioneers of Cajun Accordion – (LPOT Old Timey / Arhoolie, )
    • I'm Never Comin Back: Roots of Zydeco (ARH Arhoolie, )
    • Amede Ardoin – Mama, I'll Be Long Gone: The Complete Recordings of Amede Ardoin – (TSQ Tompkins Square Records, )

    See also

    References

    1. ^Snyder, Jared ().

      Amédé Ardoin "I'm Never Comin' Back" (CD Liner). El Cerrito: Arhoolie Records. pp.&#;10– Archived from the original on February 4,

    2. ^Eagle, Bob; LeBlanc, Eric S. ().

      BVE-83856 University of Louisiana at Lafayette Press. Categories : births deaths Creole accordionists Louisiana Creole people Zydeco accordionists American folk musicians Musicians from Louisiana Cajun accordionists Deaths in mental institutions 20th-century American musicians People from Basile, Louisiana 20th-century accordionists African-American Catholics. Share on LinkedIn. This statue of Amede Ardoin stands at the St.

      Blues - A Regional Experience. Santa Barbara: Praeger Publishers. p.&#; ISBN&#;.

    3. ^ abcCampbell Robertson (May 28, ). "Mystery, and Discovery, on the Trail of a Creole Music Pioneer". The New York Times.

      Retrieved May 28,

    4. ^Tomko, Gene (). Encyclopedia of Louisiana Musicians: Jazz, Blues, Cajun, Creole, Zydeco, Swamp Pop, and Gospel. Baton Rouge: LSU Press.

      BVE-83855 Germany United States. Download our App. Years after his premature passing, the release of King of the Delta Blues Singers propelled Robert Johnson to blues stardom. Subscription Give as a Gift.

      p.&#;4. ISBN&#;.

    5. ^Savoy, Marc (). Made in Louisiana: The Story of the Acadian Accordion. University of Louisiana at Lafayette Press. pp.&#;8–9. ISBN&#;.
    6. ^ abAncelet, Barry Jean (July 10, ), "Ardoin, Amédé", Oxford Music Online, Oxford University Press, doi/gmo/article.a, ISBN&#;, retrieved February 17,
    7. ^ abcBiography by Craig Harris, .

      Retrieved 24 November

    8. ^ abcdBen Sandmel, "Amede Ardoin", in Encyclopedia of Louisiana, edited by David Johnson, Louisiana Endowment for the Humanities, April 20, Retrieved 24 November
    9. ^Snyder, Jared ().

      I'm Never Comin' Back (CD Liner). Amédé Ardoin. El Cerrito: Arhoolie Records. p.&#; Archived from the original on February 4,

    10. ^Tisserand, Michael (). I'm Never Comin' Back (CD Liner). Amédé Ardoin. El Cerrito: Arhoolie Records. pp.&#;5–7. Archived from the original on February 4,
    11. ^ abSmith, Michael William (Winter ).

      "Pockets of Freedom: Amédé Ardoin and the Racial Politics of Louisiana French Music during Jim Crow, ". Louisiana History: The Journal of the Louisiana Historical Association. 57 (1): 70– JSTOR&#; &#; via JSTOR.

    12. ^Herman Fuselier, "Mr. Ardoin, He Dead", OffBeat Magazine, Vol. 24, Num.

      6, June , Page

    13. ^Le Menestrel, Sara (September ). "The Color of Music: Social Boundaries and Stereotypes in Southwest Louisiana French Music".

    14. BVE-83857
    15. See full list on adp.library.ucsb.edu
    16. Amede ardoin biography of abraham lincoln

      17. Southern Cultures. 13 (3): 87– doi/scu ISSN&#;

    17. ^Savoy, Ann (). Cajun Music: a Reflection of a People, Volume I (10th printing&#;ed.). Eunice, La: Bluebird Press (published ).

      Amede ardoin biography of abraham The New York Times. Minton, John. Submit Photos and Video. Ardoin is thought to have grown up in the countryside between Eunice and Basile, Louisiana, where many of his descendants still live.

      p.&#; ISBN&#;.

    18. ^"Life-sized statue honoring slain musician Amédé Ardoin unveiled Sunday in St. Landry Parish". KLFY. March 11, Retrieved June 20,

    External links